Monday 27 January 2014

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Paintings For Sale Biography

Source:- Google.com.pk
The artist Rita Ackermann creates artworks that expose a world where the only inhabitants are overtly sexualized girl-creatures who appear against dark and demonic backgrounds. In her 1995 piece, Should I Call the Ambulance? three naked nymphets lounge in various positions in front of a blazing fire, while a fourth in the foreground sits in her underwear with her legs open talking on the telephone, her face painted white and purple and her expression innocent, happy, and crazed.

Ackermann's work incorporates many mediums and forms, from drawing and painting to collage and performance. In 2011, in collaboration with the director and artist Harmony Korine, she exhibited Shadow Fux at the Swiss Institute in New York where she collaged, painted, and drew over large-scale faces of film stills from Korine's Trash Humpers, to create otherworldly beings that the viewer can feel in their presence.

Ackermann has had solo exhibitions at the Museum of Contemporary Art, in Florida, the Ludwig Muzeum, in Budapest, and she has participated in group shows at White Columns, the New Museum, and the Museum of Modern Art, and many other institutions. She has published monographs and artist books, and was featured at the 2008 Whitney Biennial, the catalogue of which called her an "aesthetic magpie."
It's hard to overstate the impact that John Baldessari has had on the art of his time, in part because he has been something of an index case for a particular breed of conceptual art that has spread to all corners of the art world. Beginning in 1970, when he took all of his paintings from his San Diego studio—a decade's worth of work—and incinerated them as part of his "Cremation Project," Baldessari has systematically tested the boundaries of what can be considered art, creating strangely joyous works out of gestures as simple as hitting various things with a golf club (which he did for a series of photos), waving at ships (ditto), and placing dots over the faces of figures in old Hollywood film stills. As for how these documentations of conceptual gestures were able to function as art objects, well, Baldessari said, "the aesthetic takes care of itself."

These ideas and the resulting artworks that seethe with the tension between art and non-art—the tightrope that the artist has walked throughout his mature career—spread like wildfire in the 1970s, in large part because Baldessari held sway over the cutting-edge art program at the California Institute of the Arts, better known as CalArts. As a teacher there in the 1970s and '80s, he inspired a group of students that included James Welling, Matt Mullican, David Salle, Jack Goldstein, Tony Oursler, and Troy Brauntuch (several of whom became known as part of the "Pictures Generation") with a philosophy that drew deeply on the approach of Marcel Duchamp, making direct address to the viewer's mind rather than eye. Duchamp, after all, was something of a West Coast patron saint after the Pasadena Art Museum gave the French artist his first American retrospective in 1967—54 years after his Nude Descending a Staircase, No. 2 radicalized the East Coast.

Baldessari has said that "categories are meaningless," and over the course of his career he has ranged widely in his use of mediums, developing signatures styles as diverse as sculptural cut-canvas paintings presenting surrealistically isolated body parts (a nose, for instance), videos of himself performing repetitive tasks, and, most famously, his dot-obscured compositions of stock photos and film stills—an homage to the celluloid industry in his backyard conveying both a deep sense of alienation and playful whimsicality. Text work has also been an important part of his practice, beginning with his seminal 1971 print I Will Not Make Any More Boring Art, in which the artist had those words repeatedly scrawled in the manner of a disciplined middle-school student; other pieces combine text and image for destabilizing or perplexing juxtapositions.

That Baldessari has been true to his word regarding "boring art" is evident in his status today as one of the most celebrated artists alive. In 2009 he was awarded the Golden Lion at the Venice Biennale, the art world's highest honor, and he has been the subject of many critically acclaimed retrospectives, including the 2010 show "John Baldessari: Pure Beauty." A multivolume catalogue raisonné is currently being assembled, with the first volume published in 2012.

Robert Longo is a Brooklyn-based artist, filmmaker, and musician known for his photo-realistic drawings and works on paper which examine the role of politics and power in our society. Deeply influenced by sculpture, his drawings—which are marked by chiseled lines—almost seem three-dimensional, as if they could pop off the page and enter physical space at any time.

Recognized at a young age for his talent, Longo received a grant to study at the Accademia di Belle Arte in Florence, Italy, in 1972. Upon his return to the States, he enrolled in Buffalo State University, where he studied along with fellow-student Cindy Sherman. After his graduation in 1975, Longo moved to New York City to become part of the infamous downtown art and music scene. In the 1980s, he became well known for his Men in the Cities series, which depicts sharply dressed businessmen (and a few women) writhing in contorted agony or ecstasy (depending on your reading), and silhouetted against a stark white background like dancers in a sound studio. He continued working on series after series, one in which he created 366 drawings (one per day) that documented his life and absorption of outside images.

Longo's work has been exhibited at numerous major international venues, and his performances and set designs have appeared around the world. He was the subject of retrospectives at the Los Angeles County Museum of Art, California; the Museum of Contemporary Art, Chicago, Illinois; and Museum Berardo, Lisbon, Portugal. A participant in both the Whitney Biennial and the Venice Biennale, as well as at recent group exhibitions at the Metropolitan Museum of Art and PS1 Contemporary Art Center in New York, Longo's work has received numerous reviews in publications such as The New York Times, Interview, Art in America, Forbes, and New York Magazine.

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

Paintings For Sale Islamic Art Calligraphy And Architecture Designs Patterns Wallpapers Desktop Wallpapers Hd Calligraphy Wallpapers Calligraphy Canvas Wallpapers Canvas

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