Art Online Biography
Source:- Google.com.pkIf you know the artist's name, consult biographical dictionaries to learn some basic, but important facts about the artist. Often, these publications are organized by regions (e.g., Dictionary of New Orleans Artists), by subject (e.g., Dictionary of Marine Artists), by media (e.g., Dictionary of Western Sculptors in Bronze), or by time periods (e.g., Handbook of 17th-, 18th- and 19th-Century American Painters). Please see our appendix for a comprehensive bibliography.
Biographical dictionaries provide vital statistics, including life dates; locations of birth, death, and activity; school affiliations including where the artist studied or taught; and memberships in artistic clubs or societies such as the National Academy of Design. Some dictionaries also provide variant spellings of the artist's name, information on when and where the artist exhibited, or list the whereabouts of the artist's major works. Because an artist might be listed in more than one dictionary, checking several might help you develop a greater understanding of the artist.
Dictionaries of American Artists
Falk, Peter Hastings, ed. Who Was Who in American Art. Madison, Conn.: Sound View Press, 1999.
Groce, George C., and David H. Wallace, eds. The New-York Historical Society's Dictionary of Artists in America, 1564–1860. New Haven: Yale University Press, 1957.
Havlice, Patrice Pate, ed. Index to Artistic Biography. Metuchen, N.J.: Scarecrow Press, 1981–.
Igoe, Lynn Moody, and James Igoe. 250 Years of Afro-American Art: An Annotated Bibliography. New York: R.R. Bowker, 1991.
Optiz, Glenn B., ed. Dictionary of American Sculptors: 18th Century to the Present. Poughkeepsie, N.Y.: Apollo Book, 1984.
Optiz, Glenn B., ed. Mantle Fielding's Dictionary of American Painters, Sculptors, and Engravers. Poughkeepsie, N.Y.: Apollo Book, 1983.
Dictionaries of International Artists
If the artist you're researching is not listed in the sources above, check more comprehensive international dictionaries. Plus, see our bibliography of specialized dictionaries grouping artists by region or media.
Allegmeines Kunstlerlexikon. Munich: K.G. Saur, 1992–.
Benezit, E., ed. Dictionary of Artists. Paris: GrĂ¼nd, 2006.
Mallet's Index of Artists, International-Biographical, Including Painters, Sculptors, Illustrators, Engravers and Etchers of the Past and Present. New York: Peter Smith, 1948.
Petteys, Chris, ed. Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900. Boston: G.K. Hall, 1985.
Thieme-Becker, ed. Allegemeines Lexicon der Bildenden Kunstler. Leipzig: Verlag Von Wilhelm Engelmann, 1907–1913.
Sources for Contemporary Artists
Georgia Stele by Jesus Moroles
Contemporary artists are often more difficult to research. Do not give up too quickly though. Many contemporary artists have personal Web sites. Try entering the artist's name in an Internet search engine such as Google or Yahoo. If the artist does not have a Web site you still may discover a press release from an exhibition or a newspaper or magazine article. When you've exhausted online resources, consider the following printed materials:
Dictionary of Contemporary American Artists. Ed. Paul Cummings. New York: St. Martins Press, 1994.
New York Public Library: The Artists File (microfiche). Alexandria, Va.: Chadwyck-Healy, Inc., 1987–1989.
Who's Who in American Art. New Providence, N.J.: R. R. Bowker, annual.
Online Artist Biographies
There are surprisingly few comprehensive online sources for artist biographical information. Try these art specific sources:
www.AskArt.com
www.artcyclopedia.com
www.artnet.com
The Getty Research Institute maintains the Union List of Artist Names at www.getty.edu/research/conducting_research/vocabularies/ulan/. While this online database does not always include biographies, the index does supply the artist's name, variant spellings, life dates, nationality, and related bibliographic citations.
Some larger biography sites reference major artists.
painter, cartoonist and art director, was born in Bellevue Hill [Rose Bay, acc. NGA], Sydney, on 21 January 1942. He attended Cranbrook 1952-59. While studying art at East Sydney Technical College in 1960 he submitted cartoons to the Bulletin . In 1961 he enrolled in Architecture at university (SU and/or UNSW). He was in trouble for obscenity for the cartoon The Gas Lash in the UNSWstudent publication Tharunka’s 1964 Orientation Week issue. Fifty years … says that he contributed both to Tharunka and Sydney University’s Honi Soit . In his third year of Architecture he returned to ESTC to study art, completing three of the five years of the course. In 1962 he won the Mirror Art Award. In 1963-64 he attended the Mary White Art School at the Rocks while simultaneously (1963-65 [1962-64 [ sic ] acc. McCulloch]) working as art director of Oz and being its major contributor of drawings and cartoons. The prosecution of Oz in 1964 for breach of the Obscene and Indecent Publications Act concentrated on a Sharp cartoon, The Word Spread Round the Arms (about an Ocker surfie), published in issue 6 (February; almost the same time as the similarly controversial The Gas Lash in Tharunka ), which consisted (almost) only of words (ill. Lindesay WWW , 159). Within weeks of Tharunka’s editors being convicted over The Gas Lash , Neville and Walsh were sentenced to six months gaol with hard labour and Sharp to four months, though all three were later released on bail pending an appeal, which was upheld. According to Coleman (p.12):
“The case caused such a sensation that it figured in the 1965 State election when the Opposition Leader Bob Askin, following Oz , made it his policy to abolish censorship. He won the election and that was the end of trial-by-magistrates in obscenity cases in New South Wales. It all added to the glory of Oz , Martin Sharp and cartoonists.”
A subsequent $300,000 libel suit, the departure of Sharp and Neville for England via Asia in 1966 to establish London Oz , the cancellation of advertising and the continued refusal of Gordon & Gotch to distribute Oz finally resulted in its demise (Lindesay, WWW , 156-160).
In December 1965 Sharp held a solo exhibition, Art for Mart’s Sake , at Clune Galleries, Potts Point. Martin Sharp Cartoons was published in 1966. Some of his cartoons also appeared in the Sydney Morning Herald , e.g. one about Prince Charles coming to school in Australia in 1965: “I sincerely hope he’s funnier than his father” . Others are [Aborigine in garbage tin with man bending over it] “You wouldn’t give us any trouble like those boongs in Los Angeles, would you Jacky” n.d. (ill. Coleman & Tanner, 74, 184). His cartoon Loading Up , published in the Australian 1965, about the Menzies government arms’ spending increase, is ill. King, 174.
Sharp lived and worked in London in 1967-69. He came back to Australia in 1970 then returned to collect his portable artworks for The Incredible Shrinking Exhibition group show, which opened at the Yellow House on 1 April 1971. He remained in London 1971-72 painting murals and publishing his Art Book etc..
Hamilton Art Gallery owns Sharp’s etching of Luna Park, Just For Fun? (clown on stage) 1981, ill. Hansen, cat.260 (the Hogarth Gallery’s copy was used in the 1999 S.H. Ervin Gallery show). Posters designed for the Nimrod Theatre are at ML POSTERS 810/1-7. On 4 March 2001 Dahlia Stanley was auctioning his silkscreen prints, Tiny Tim Eternal Troubadour Opera House 1982 , Kaspar (Nimrod November 7), The Venetian Twins and Art Sale for Land Rights n.d.
No comments:
Post a Comment