Doha Museum Of Islamic Art Biography
Source:- Google.com.pkDesigned by Pritzker Prize-winning architect I.M. Pei, the 376,740-square-foot Museum of Islamic Art in Doha Bay houses a collection of international masterpieces in galleries encircling a soaring, five-storey-high domed atrium. The Museum, an architectural icon 60m (195ft) off Doha’s Corniche, rises from the sea and is connected to shore by two pedestrian bridges and a vehicular bridge. A C-shaped peninsula and park area on the shoreline behind the Museum offer shelter and a picturesque backdrop.
The Museum is composed of a five-storey Main Building and a two-storey Education Wing, which are connected across a central courtyard. The Main Building’s angular volumes step back progressively as they rise around a 50-m-high (164ft) central domed atrium. The dome is concealed from outside view by the walls of a central tower. A sheet of glass rises to a height of 45m (148ft) on the north side of the Museum offering views of the Gulf and West Bay area of Doha from all five floors of the atrium. Ceilings are constructed of intricate cast-in place architectural concrete coffered domes, finished with individual molds. At the top of the atrium is the circular oculus of a stainless steel dome, which captures facets of patterned light. The form of the dome changes as the structure descends, so its perimeter becomes an octagon and then a square, which in turn is transformed into four triangular column supports.
The Museum of Islamic Art is dedicated to reflecting the full vitality, complexity and diversity of the arts of the Islamic world. It is a world-class collecting institution, which preserves, studies and exhibits masterpieces spanning three continents and 13 centuries. As a centre for information, research and creativity, the Museum aims to reach a wide global audience and serve as a hub for dialogue and cultural exchange.
The Museum of Islamic Art is the flagship project of the Qatar Museums Authority, which under the leadership of its Chairperson, H.E. Sheikha Al Mayassa, is transforming the State of Qatar into a cultural capital of the Middle East. Qatar Museums Authority was created in December 2005 to combine the resources of all museums in the State of Qatar. The QMA’s vision revolves around the provision of a comprehensive umbrella under which future plans will be drawn for the development of national museums and the establishment of an effective system for collecting, protecting, preserving and interpreting historic sites, monuments and artifacts.
The Museum of Islamic Art is the result of a journey of discovery conducted by I.M. Pei, whose quest to understand the diversity of Islamic architecture led him on a world tour. During visits to the Grand Mosque in Córdoba, Spain; Fatehpur Sikri, a Mughal capital in India; the Umayyad Great Mosque in Damascus, Syria; and the ribat fortresses at Monastir and Sousse in Tunisia, he found that influences of climate and culture led to many interpretations of Islamic architecture, but none evoked the true essence he sought
Mr. Pei’s final design inspiration was the 13th-century sabil (ablutions fountain) of the Mosque of Ahmad Ibn Tulun in Cairo, Egypt (9th century). In the “austerity and simplicity” of the sabil, Mr. Pei stated, he found “a severe architecture that comes to life in the sun, with its shadows and shades of colour” The sabil offered “an almost Cubist expression of geometric progression”which evoked an abstract vision of the key design elements of Islamic architecture.
Declining to build the structure on any of the proposed sites along the Corniche, Mr. Pei suggested a stand-alone island be created to ensure future buildings would never encroach on the Museum. The building stands in the sea some 195 feet off Doha’s Corniche. A park of approximately 64 acres of dunes and oases on the shoreline behind the Museum offers shelter and a picturesque backdrop.
Built of fine materials, such as cream-coloured Magny and Chamesson limestone from France, Jet Mist granite from the United States and stainless steel from Germany, as well as architectural concrete from Qatar, the Museum is composed of a five-storey main building and a two-storey Education Wing, which are connected across a central courtyard. The main building’s angular volumes step back progressively as they rise around a 164-foot-high domed atrium, which is concealed from outside view by the walls of a central tower. At the top of the atrium, an oculus captures and reflects patterned light within the faceted dome. The desert sun plays a fundamental role, transforming the architecture into a play of light and shadows.
A glass curtain wall on the north side of the Museum offers panoramic views of the Gulf and West Bay area of Doha from all five floors of the atrium. Ceilings are embellished with intricate coffered domes, and perforated metal chandeliers hang in the atrium. Two more lanterns, each 100 feet tall, mark the boat dock on the west side of the Museum, creating a grand entrance for guests arriving by boat
The galleries, designed by Jean-Michel Wilmotte from Paris, France feature dark grey porphyry stone and Louro Faya, a Brazilian lacewood that was brushed and treated to create a metallic appearance, which contrast with the light-coloured stonework of the rest of the Museum. To protect the fragile antiquities on display, the exhibition rooms feature specially designed cases and lighting. Mr. Wilmotte also created custom furniture for the museum, inspired by Pei’s architectural style
The Museum’s education programs are housed in a 29,000-square-foot wing, located to the east of the main building across a fountain courtyard. The Education Wing, scheduled to open late 2009, includes a light-filled reading room in the Museum library, classrooms, workshops, study spaces, and technical and storage facilities. Among the latter is the conservation laboratory, an important new resource for the entire region. Underscoring the central role of education in the Museum of Islamic Art, the Education Wing will host educational and community activities to develop and foster an understanding and appreciation for Islamic art.
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